The fashion of his countenance was altered. --Luke ix. 29. [1913 Webster]
I do not like the fashion of your garments. --Shak. [1913 Webster]
2. The prevailing mode or style, especially of dress; custom or conventional usage in respect of dress, behavior, etiquette, etc.; particularly, the mode or style usual among persons of good breeding; as, to dress, dance, sing, ride, etc., in the fashion. [1913 Webster]
The innocent diversions in fashion. --Locke. [1913 Webster]
As now existing, fashion is a form of social regulation analogous to constitutional government as a form of political regulation. --H. Spencer. [1913 Webster]
3. Polite, fashionable, or genteel life; social position; good breeding; as, men of fashion. [1913 Webster]
4. Mode of action; method of conduct; manner; custom; sort; way. ``After his sour fashion. --Shak. [1913 Webster]
{After a fashion}, to a certain extent; of a sort; sort of.
{Fashion piece} (Naut.), one of the timbers which terminate the transom, and define the shape of the stern.
{Fashion plate}, a pictorial design showing the prevailing style or a new style of dress. [1913 Webster]
Fashion Fash"ion, v. t. [imp. & p. p. Fashioned; p. pr. & vb. n. Fashioning.] [Cf. F. faconner.] 1. To form; to give shape or figure to; to mold. [1913 Webster]
Here the loud hammer fashions female toys. --Gay. [1913 Webster]
Ingenious art . . . Steps forth to fashion and refine the age. --Cowper. [1913 Webster]
2. To fit; to adapt; to accommodate; -- with to. [1913 Webster]
Laws ought to be fashioned to the manners and conditions of the people. --Spenser. [1913 Webster]
3. To make according to the rule prescribed by custom. [1913 Webster]
Fashioned plate sells for more than its weight. --Locke. [1913 Webster]
4. To forge or counterfeit. [Obs.] --Shak. [1913 Webster]
{Fashioning needle} (Knitting Machine), a needle used for widening or narrowing the work and thus shaping it. [1913 Webster]
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fashion [fæ??n] mode
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fashion [fæ??n] Art, Art und Weise, Mode
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The Fashion Designer's Directory of Shape and Style: Over 500 Mix-and-Match Elements for Creative Clothing Design
by Simon Travers-SpencerBarron's Educational SeriesBoth students of fashion design and professionals in the field will find valuable inspiration in this profusely illustrated idea book. More than 1,200 detailed illustrations provide the building blocks for designing imaginative and original clothing. The opening section serves as a photo-illustrated catalog of basic shapes for:
*Sleeves * Necklines * Hems * Pockets * Ties and Fastenings * Collars * Cuffs *Waistbands *Embellishments (lace, appliquque, etc.)
The book's second and main section combines photos and fashion illustrations to present unique and original design ideas for all of the above-noted clothing parts. Sixteen original designs per page are sketched in a grid format, according to intended use: casual, formal, special occasion, and essential. The drawings are cross-referenced according to suggested fabrics for construction. A gatefold flap inside the book presents an outline human figure to guide designers in mixing and matching garment parts. The book's final section, titled "Taking It Further," shows how to find additional inspiration from outside sources, for instance from architectural details, or the graphic designs of the 1960s Op Art movement, or the dress designs of the 1930s. Readers will also find inventive ideas for using specialty fabrics, including silk, organza, and suede. Color photos and illustrations on every page.
The Mode in Hats and Headdress: A Historical Survey with 198 Plates (Dover Fashion and Costumes)
by R. Turner WilcoxDover PublicationsThe Fundamentals of Fashion Design
by Richard SorgerAva PublishingSustainable Fashion and Textiles: Design Journeys
by Kate FletcherRoutledgeSustainable Fashion and Textiles: Design Journeys brings together for the first time information about lifecycle sustainability impacts of fashion and textiles, practical alternatives, design concepts and social innovation. It challenges existing ideas about the scope and potential of sustainability issues in fashion and textiles, and sets out a more pluralistic, engaging and forward-looking picture, drawing on ideas of systems thinking, human needs, local products, slow fashion and participatory design, as well as knowledge of materials. The book not only defines the field, it also challenges it, and uses design ideas to help shape more sustainable products and promote social change. Arranged in two sections, the first four chapters represent key stages of the lifecycle: material cultivation/extraction, production, use and disposal. The remaining four chapters explore design approaches for altering the scale and nature of consumption, including service design, localism, speed and user involvement. While each of these chapters is complete in and of itself, their real value comes from what they represent together: innovative ways of thinking about textiles and garments based on sustainability values and an interconnected approach to design.
How to Open & Operate a Financially Successful Fashion Design Business: With Companion CD-ROM (How to Open & Operate a ...)
by Janet EngleAtlantic Publishing Company (FL)The U.S. Bureau of Labor Statistics reports an average annual income of $69,270 for fashion designers in 2007. Opportunities in the fashion design industry are expected to rise about 10 to 12 percent through 2012. Many designers also go into other areas of the fashion industry, including: fashion buyer, fashion coordinator, retail store manager, and many more. You do not need to live in New York City, and you can start out small or even part time. Ralph Lauren's Polo empire was established on a small men s tie collection that he sold to Bloomingdales. Demand for fashion designers should remain strong, as consumers, hungry for new fashions and apparel styles will spur the creation of new clothing and accessory lines. This new book is a comprehensive and detailed study of the business side of the fashion, fashion design, and consulting business. You will learn everything from the initial design and creation to manufacturing and marketing. If you are investigating opportunities in this type of business, you should begin by reading this book, hopefully picturing yourself producing the perfect dress worn by one of Hollywood s elite. If you enjoy working with people and keeping up on the latest trends, this may be the perfect business for you. Keep in mind this business looks easy but, as with any business, looks can be deceiving. This complete manual will arm you with everything you need, including sample business forms; contracts; worksheets and checklists for planning, opening, and running day-to-day operations; lists; plans and layouts; and dozens of other valuable, timesaving tools of the trade that no designer should be without. While providing detailed instruction and examples, the author leads you through every detail that will bring success. You will learn how to draw up a winning business plan (the companion CD-ROM has the actual business plan you can use in Microsoft WordTM) and about basic cost control systems, copyright and trademark issues, branding, management, legal concerns, sales and marketing techniques, and pricing formulas. You will learn how to set up computer systems to save time and money, how to hire and keep a qualified professional staff, how to meet IRS requirements, how to manage and train employees, how to generate high profile public relations and publicity, and how to implement low cost internal marketing ideas. You will learn how to build your business by using low and no cost ways to satisfy customers, as well as ways to increase sales, have customers refer others to you, and thousands of great tips and useful guidelines. This manual delivers innovative ways to streamline your business. Learn new ways to make your operation run smoother and increase performance. Successful designers will appreciate this valuable resource and reference it in their daily activities as a source of ready-to-use forms, Web sites, operating and cost cutting ideas, and mathematical formulas that can easily be applied to their operations. The companion CD-ROM contains all the forms in the book, as well as a sample business plan you can adapt for your own use.
Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity
by Monica L. MillerDuke University Press BooksDandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
The 1940s (Fashion Sourcebooks)
by John PeacockThames & HudsonFashion in the 1940s divides into two parts: pre and post New Look. The first period was dominated by World War II, when rationing affected the design of clothes for men and women. In 1947 Christian Dior's New Look brought a romantic revival: narrow, rounded shoulders, lightly padded hips and voluminous, billowing skirts introduced a new era of feminity and extravagence. This book is part of a series charting the development of women's and men's clothing from 1900 onwards. It includes complete descriptions of each garment and accessories, itemizing colour, cut, necklines, lapels, sleeves, pockets, fastenings, buttons and belts. The year-by-year format progresses through day wear, evening wear, sportswear, leisurewear, underwear, negligee and wedding wear. The text is accompanied by costume drawings by John Peacock, and includes a chart summarizing the evolution of fashion, garment shapes, and biographies of the outstanding designers of the decade.
Chinese Fashion: From Mao to Now (Dress, Body, Culture)
by Juanjuan WuBerg PublishersHow has fashion mirrored the social and cultural changes that have taken place in modern China? To what extent has fashion contributed to those changes?
This book provides the first comprehensive account of modern Chinese fashion from 1978 to the present day. The post-Mao era witnessed the birth of the Chinese market economy, the reawakening of Chinese fashion, and the rejuvenation of Chinese society. The program of economic reform turned China into the world's leading manufacturing powerhouse, and the Chinese fashion industry now plays a key international role. During the same period, Western companies discovered China as a significant market for branded fashion and luxury goods.
This book, which takes a chronological approach, offers an analysis of the development of the Chinese fashion industry as well as an analysis of the relationship between dress, gender, identity and consumption in contemporary China. As such it will be welcomed by all students of fashion and textiles.
Fashion in Fiction: Text and Clothing in Literature, Film and Television
by Peter McNeilBerg Publishers

